Flux Information Sciences were a quasi-No Wave artsy-fartsy Brooklyn band formed in the mid-90's by a Portugese/Brazilian guy and a Malagasy/French guy. Friend-of-the-blog Jumanji introduced me to their weird, twisted world some years ago via this very album, but the full impact of their off-kilter, Idiot-Flesh/Sleepytime brand of minimalist electro-punk didn't fully sink in until just recently. Signed to Michael Gira (above right, who you might know from Swans AND a near-future episode of Illogical Contraption Radio)'s label Young God Records, F.I.S. quickly made a name for themselves in the hoity-toity art scene of millenia's-end NYC with both their chaotic live shows and fiercely primitive compositions, leaving bewildered onlookers to draw disparate comparisons to other loose cannons like Foetus, Ministry, Gang of Four, Einstürzende Neubauten, and Cop Shoot Cop. Undeniably, this is some bewildering, brain-melting shit, deserving of only your most intense and immediate attention.
PS: Rumor has it, Private/Public was recorded before a live audience who were required to stand before the band naked and blindfolded. So, uh, there's that too.
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Flux Information Sciences on Last.FM "Parking/Shopping":
