Showing posts with label Stuff by DoomUnicorn. Show all posts
Showing posts with label Stuff by DoomUnicorn. Show all posts

Monday, January 9

MONDAY MORNING (?) MEXICAN PORNOGRIND CORNER

Metal brothers, we are now in Day 10 of cold turkey withdrawal from lllCon West's benevolent mother teat. I have to say, I CRITICALLY underestimated the reach of Shelby Cobras's influence and the strength of his resolve. I see now the man will stop at nothing. See, my kid hasn't stopped throwing up for two days now. How did we go from pot shots at my spelling to attempted INFANTICIDE?? Well, it's gonna take more than a few chow showers from an 18 month old to weaken MY resolve. Thanks to Jason, who rightly reminds me of my sworn duties to uphold, MONDAY MORNING MEXICAN PORNOGRIND CORNER goes on.


Uritkaria Anal is this week's featured scumfuck porn-shilling monstruos. On Divine Depravation, they eek our nearly an hour's worth of microphone-too-close-to-the-mouth guttural ejaculations, glandular skinwork, and lyrical STDs. If one jam called 'Sifilis' isn't enough for you, don't worry, this record has two. I don't quite get what happened but the recording fidelity switches gears halfway through the album and you get like these alternate versions (maybe?) that let the songs breath a little more (which, really, is what pornogrind needs isn't it? just a little more breathing space?).

has anyone used Tako to ama for pornogrind cover art yet?

Jesus Christ, what kind of distortion does that guy use on side 2 anyway? Anyone know? Not the HM2; maybe that $50 Digitech unit? I dunno, it fucking RULES though. My first band, Sticky Bear, recorded STRAIGHT to some Maxwell 60 mins. (if we were flush that week; otherwise it was Sonys). My Peavey Predator came out sounding exactly like this.
DAT FONT

You know how bad you hate it when someone says your music all sounds the same? Yeah, well, every track sounds EXACTLY THE SAME here. Flip this on the hi fi, crack open a high life, and expand your horizons.


Monday, January 2

Cryptosporidium Parvum - Demo 2008

I hereby direct your attention to Cryptosporidium Parvum, a quotidian blip on the acne-pocked face of pornogrind circa late 00s. I normally have little patience for this sort of thing but CP's brand of sloppy, under-produced, overblown grind endears itself to me every time. They've got a track, "vaginal love" on their 2007 demo whose amorous title is out of place with pornogrind's usual over-the-top nomenclature and whose beginning does not sound entirely unlike "Louie, Louie." So where most bands lose you with their tales of clitoral evisceration, CP warms the heart with a track about simply loving pussy. Even if this kind of thing isn't your kind of thing (pig grunts and the like) do yourself a solid and have a couple of chuckles over the video for "Ay, Mamsheeta" below. That's right, Mamasheeta. See what they did there?


couldn't find any band photos so used this instead

Cryptosporidium Parvum - Demo 2008

Saturday, December 31

Important Announcement for the New Year

After a decade of bitter infighting and rancour between two ideologically polarized camps within ICHQ, I am delighted to announce the grand opening of IllCon East, a new subdivision of IC Enterprises which is charged with ensuring East Coast considerations are factored into decision-making around marketing, product development, and systems change. This venture comes on the coattails of a debate that has been percolating beneath the surface of everyday business and has made working alongside one another no longer possible. I now present to you IllCon East's mission statement:

FUCK YOU, WEST COAST
Allow me to explain...

Here on the East Coast, being metal is a fucking chore. You have to work at it. If you're a metalhead and come from anywhere East of Sanford Parker's fiefdom, Ohio, you're already handicapped. You're fucked. You have to ship in all your bullet belts and patches from El Salvador. Out on the West Coast every other day Wormrot is playing in LA, fucking Brocas Helm is playing Gilman or whatever it's called, blah fucking blah.

2nd one from left is 9th grade me

I was just talking to These a Beast, who lives in Jersey, about what shows we'd been to recently and it was downright scornful. The only show either of has had been to in the last month was the same goddamn show, one night apart from each other. Granted, it was Inquisition, and they fucking killed, but still. West Coast's got the labels, the communal groundswell, the bands, the venues, AND legal kush. It's like the metal is being handed to you on a silver plate; all you need to do is MOSH.

And don't get me started on Black Metal. How do you have all these awesome goddamn black metal bands on the West Coast? What do YOU know about Black Metal? Any 'banger worth his Nargaroth back patch knows Black Metal is all about winter, midnight vision quests through frost-choked ravines, taking your shirt off, and takin' a pic for the album cover. What does the West Coast know about winter? Where I'm from we're living an Immortal album 30% of the entire year while your metal bands are playing flutes around the bonfire, fucking celebrating the harvest, and yukking it up over a sack of northern lights.

er, we're not all like this, promise

(Speaking of New Jersey, that's probably the most metal places on the planet ain't it? Fuck sylven forests of primordial hardwoods and awe-inspiring ocean vistas, forget Norway...New Fucking Jersey man. It's basically built on top of toxic sludge and car parts. Anyone who elects to live there voluntarily earns their spike cuffs automatically.)

is more metal than

The East Coast always seems to get left out of conversations about metal (New Yorker notwithstanding), perhaps due to regional metal xenophobia, perhaps ignorance, perhaps its the smaller profiles of the bands, maybe a combination of all this. We gave you NYDM, Dio, Grief...the nascent scuzz-BM scene (see Mutilation Rites) is giving the Black Twilight Circle a run for their money IMHO...hell we've got Florida so right there we've buttoned up 90% of the American Death Metal legacy.



ANDMANOWAR

i know u like my layout skills

Now, I'm not saying we're completely infallible. In fact, we owe you a couple of apologies: namely Liturgy, the whole Savannah/Atlanta thing (seriously, what the fuck is up with the whole Kylesa/Baroness/Mastodon scene? can someone fill me in plz thx). We MIGHT be single-handedly responsible for metalcore also, now that I think about it. Whoops lol. I hereby apologise for all our past transgressions.


So anyway, yeah, this:

WEST COAST
i detect your pose
all the way from here


EAST COAST
trve

I rest my case.

You are cordially invited to the ceremonial ribbon cutting of the brand-new, 230 acre IllCon East campus, featuring an exclusive Evoken and Cannibal Corpse showcase*, and we will vote on IllCon East's new charter. I hereby lay down the gauntlet, West Coast pussies. The metal world is overdue for a good beef with all the trimmings, don't you think? Infantile posturing in album intros, threats of violence via YouTube, all that. How great would that be? Minus the assassinations, Varg.

FUCK YOU, WEST COAST.
*not verified

Tuesday, December 27

Near Death Condition - The Disembodied - In Spiritual Spheres

Now that Christmas cheer is no longer getting crammed down our every orifice I feel we need to hit 'reset' here at IllCon. Maybe a nugget of techy brutal death metal with bits of doom and some synths thrown in will do the trick. Perhaps it's because the band in question is from the land of eternal neutrality--Switzerland--that they're able to toe the line of so many sub-sub-genres without seeming contrived. On their newest release, The Disembodied - In Spiritual Spheres, Near Death Condition take a shotgun blast approach to brutal death, throwing elements of Suffocation (the musicianship), Coffins (the delivery), and Morbid Angel (the riffs) at the listener and hoping something sticks. Well, almost everything sticks. Two albums into their young career I'm keeping a close eye on Near Death Condition, and so should you. Don't let the board shorts or political disposition towards neutrality fool you, these are evil motherfuckers.


Wednesday, December 21

My Stoopid 2011 List


Year end lists...who's got time to read 'em, let alone write 'em? Do you follow The Long Way Home yet? No? What the fuck is WRONG with you? Homeboy assembled the most comprehensive metal year-end list ever. It's funny, insightful, and encyclopedic. Fucking mandatory reading.

Your humble writer, on the other hand, mustered a measly top five. This is attributable to holiday-onset ennui (fuck Christmas obviously), business (fuck the end of the fiscal year AMIRITE?), and the fact other year-end lists out there (see above) already destroy mine.

Here's to 2011 I GUESS. It was an OK year for metal.

Not posting links. You've got Google on your computer too.

5) Obscura - Omnivium (apogee of modern tech DM)
4) Mournful Congregation - Book of Kings (see this)
3) Absu - Abzu (all that is Good in one concise, perfect package)
2) Obsequiae - Suspended in the Brume of Eos (no surprise considering the pedigree. reinventing BM is no small feat in an oversaturated market)
1) Atriarch - Forever the End (Atriarch destined for world domination #realtalk)

BONUS: Top 5 albums on everyone's list I didn't get.

5) Autopsy - Macabre Eternal (mandatory pot-stirring selection - return to form? not hearing it)
4) Tombs - Path of Totality (i mean yeah it's good but really everyone?)
3) The Atlas Moth - An Ache for the Distance (ima pro-lo fanboy as much as the next dude but sorry this is just weeeeeeeak)
2) Disma - Towards the Megalith (i count at least 5 records that did the Swedish DM revival thing better than them)
1) Krallice - Diotima (nothing worked for me on this release, not the least of which was the vocals, extra-ugh)

SEASONS GREETINGS